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Not Out of Hate: A Novel of Burma (Volume 88)

Not Out of Hate: A Novel of Burma (Volume 88)

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Not Out of Hate—published in Burmese in 1955 and set in 1939–42—was Ma Ma Lay’s fifth novel and one that further cemented her status as one of twentieth-century Burma’s foremost writers and voices for change. A journalist by trade, Lay applied her straightforward observational style with compassion and purpose to the story of Way Way, a teenage village girl whose quiet life assisting her father in his rice-brokerage business is disrupted by the arrival of U Saw Han, the cosmopolitan Burmese rice trader twenty years her senior. When she first encounters him, Way Way is entranced by his Western furnishings, servants, and mannerisms. The two marry, but before long, it becomes clear that U Saw Han’s love is a stifling one that seeks to obliterate her traditional ways. Not Out of Hate was enormously popular in Burma and went through several editions in the 1950s and 1960s. When Ohio University Press published its English translation, in 1991, it became the first significant fictional account of prewar Burma available in English since George Orwell’s Burmese Days, and provided a Burmese counterpoint to Orwell’s novel. Translated into English here for the first time, the novel is an engaging drama, finely observed work of social realism, and stirring rejection of Western cultural dominance.

Details of Book

ISBN13: 9780896801677
ISBN10: 0896801675
Language: English
Publication Year: 2019
Format: Paperback

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A note on book covers: while we do our best to ensure the accuracy of cover images, ISBNs may at times be reused for different editions of the same title which may hence appear as a different cover.

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  • One Line Summary

    Insight into Burmese society and cultural conflicts.

  • Who is this book for?

    If you're interested in understanding Burma's history and society through personal stories, this novel offers a compelling glimpse. Ma Ma Lay’s storytelling pulls you into a world of traditional life clashing with Western influences, all seen through the eyes of a young woman. It’s both a social critique and a heartfelt tale that resonates with anyone curious about cultural identity and change.

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